9 Paintings of 2019
2019 was one of those “mixed bag” years of great joy to great sorrow, as well as everything in between.
One highlight of my year happened in the beginning of May. My painting, “Leaf On The Vine” was part of the Oil Painters of America National Exhibition which was a thrill and great honor to be part of. My husband and I, along with our two Boxers travelled to Utah to see the exhibition as well as Zion and Bryce National Parks.
Sadly, a couple of weeks later, my mother passed away. She was 89, a woman of strong faith and was always committed to praying each day for family, friends, acquaintances and our Nation. In many ways she was a great example and encourager and I will always be thankful for her.
As we look back to the memories and accomplishments of 2019, I hope we can use what we have learned, having a forward view of the new year with hope in our hearts for each new day.
Life is hectic for everyone, so carving time out to do what we enjoy needs to be a priority. My husband and I, along with our two very sweet Boxers, enjoy a bit of local traveling which includes going to Paso Robles.
We have been going to Paso for nearly 35 years! The first 25 years we went waterskiing and wakeboarding at Lake San Antonio then good friends of ours introduced us to Paso’s wineries and vineyards. The beauty of the area has been the subject of many of my paintings including this painting I just finished today. Summerwood Inn & Winery has been a favorite of ours and we have stayed at the Inn on several occasions. On one particular rainy stay at the Inn, I fell in love with the rainy day view looking out onto the patio toward the vineyard and knew I had to create a painting of the scene.
This is 10″ x 26″ oil on canvas and so far, untitled. Here are a few photos of the process:
“Misty Morning In Napa”
Many artists I know have been working diligently as they create beautiful works and getting them ready for art shows all around the country and I have been doing that as well. In fact, I have been letting quite a few paintings stack up, thinking that I would just send them out to the framers one painting at a time when it was time for an art show or two. This Fall I was asked to enter my work into three different art shows and one of the shows wanted 9 paintings to display! Wow, 12 paintings going out was such a thrill but then reality hit me as I needed to get 9 of those paintings framed, eek!
The dilemma, paying to have 9 paintings framed. It is far too costly to have that many professionally framed so I drove out to a wholesale framing business about an hour away to get the supplies I needed to mat my work, but they tell me they won’t cut the frames without a resale license. So what do I do? I call hubby at work and asked if he could make the frames if I picked up the moulding and of course, his sweet answer was yes. HA! It was far more difficult than expected and we needed specialized tools. Argh, with only a few weeks to go, we were committed, so we drove over all of God’s green earth to purchase the tools needed, glass, etc. Now add in the gigantic learning curve “voila” the frames are done in just the nick of time! We both worked very hard and although it came at a time consuming cost (plus equipment and materials), the entire frame job for each painting was so well done. The big lesson learned for us is that there is a reason framers charge so much!
Above, “Vineyard Poppies”, is one of the many frames we put together.
My husbands’ father used to own a wholesale art agallery and my husband used to be a “fitter”. He matted and assembled the frames, so learning how to cut the frames was just another step for him to be proficient in. He taught me how to mat the art but he did all the rest. This was a match made in heaven!
Below is a sampling of my art in the different shows:
And last but not least…
“Misty Morning In Napa” (45″ x 60″ oil triptych) won Best of Show in the Thousand Oaks Art Association
As we approach Thanksgiving, take care and be safe.🎨
22″ x 30″ oil
“Poppies In A Vineyard” was started a year or so ago and although I placed it in my completed stack, I was never really satisfied with it and knew I would make some adjustments to it later. Instead of overworking something to death, it is better to set something aside for awhile. I finally pulled it out this week and was able to view it with a critical eye and see what was bothering me.
When painting, I always mix a tad of black with other colors for my dark darks but low and behold, I had areas of black that looked like a chalkboard plus I had some areas that were quite rushed in comparison to the rest of the painting. The changes have been made and I am pleased with the outcome.
Here is a recap of the process:
I prepared a 22″ x 30″ single sheet of 300lb watercolor paper prepared with gesso and then made my sketch.
Then came the layout of color
Chose to rework some areas on my desk instead of my easel. Sometimes I will work upside to better concentrate on some areas.
Finally I can call this painting finished!
8″ x 10″ watercolor on Arches 300lb. watercolor paper.
Is it the ‘norm’ to have a few paintings in progress as well as a stack on the side of your desk with many ideas for future projects? I also wonder how many artists have their entire day(s) to paint or try desperately to fit the time in here or there? My time is limited, so when I get a few hours, I turn my music on and shut the world out. Today I planned to take the entire day to paint, however, life got in the way. The first half of the day was taken up by “must do’s” so when I finally got home, it was an absolute pleasure to paint and finish up this small watercolor painting!
Stay cool with all this summer heat.
18″ x 36″ oil on canvas
This painting began with a conceptand instead of sticking with the usual sizes of canvas, I made an 18″ x 36″ canvas to fit my design. I had fully intended to go with a full color, daylight scene but it was missing a certain feel to me.I was going to scrap the whole idea but figured I had nothing to lose by changing the color and with it, the mood. I went with a limited palette of Dioxazine Purple, Indian Red, Raw Umber, Titanium white and a tad of Ultramarine Blue.The underpainting from the original colors show through and gives a nice warmth to this piece. It is quite a departure in color from my other paintings but I’m liking it and it gives a calm, moonlit effect. I am thinking about creating a smaller version in full color but I need time to ‘rest’ from this subject and to paint in watercolors.🎨
I welcome your thoughts and if you have changed directions as well with paintings of your own.