Happy New Year! Since my last post, the holidays have come and gone. From Thanksgiving on, every day has been filled with “to do” lists, places to be and of course, enjoying the holidays spent in the company of friends and family. I pray that you all had a wonderful holiday season and look forward to beginning the New Year of 2019.
I managed to get one last painting in for the year – – a small, 9″ x 12″ watercolor portrait of a friends daughter. It has been far too long since I’ve painted something other than a still life or landscape, so it felt good to get back into painting people. The colors reflect the temperature, time of day and hopefully, mood.
Below is from my sketchbook:
Final painting, “Evie”
I completed quite a few paintings this year, some that turned out well and others I just chock up to a learning experience. I narrowed down my favorites to 6 paintings:May 2019 keep you healthy, happy and give you all a prosperous new year!
I’ve needed to put my sketchbook and paints aside for a short period of time in order to mat and frame quite a few of my paintings for three upcoming art shows. Being an “empty nester” is a pretty exciting chapter in my life and I am able to pursue my art as well as be involved with so many amazing artists. Having 9+ paintings would be a pretty penny to send out to a professional framer so I’ve spent a lot of time matting the artwork myself, having glass cut and this weekend my husband will cut the frames for me., then the final stage will be putting it altogether. It is a lengthy project but I actually love being a part of this stage preparing my artwork for shows.
The Thousand Oaks Art Association is a wonderful group of talented people and I am so pleased to have two of my paintings in this show. If anyone is local, come on by to see all the beautiful work on display.
What a nice surprise to actually have the opportunity to paint today. Now it is time to stop “nit-picking” this painting and put my brush down to call it “finished”.🎨
9″ x 14″
This summer I have been concentrating on watercolor paintings – from very small to medium in size. This landscape is an elongated vertical format which highlights the shadows on the path as well as the morning light coming through the trees.
I have used illustration board, 300 Lb Arches single sheets, Arches watercolor blocks and currently am trying the Fabriano 300 Lb single sheets. I am actually a bit disappointed with how this paper takes the watercolor but am working through the difficulties.
I began by sketching on the watercolor paper then started laying out my color.
I am now at the point of fine tuning and adding greater depth and contrast. Comments are welcome, especially if you have a favorite watercolor paper or board to work on.🎨
It is so nice to be finished with a couple of recent watercolor paintings but they weren’t without their obstacles. I generally make a working sketch when a project is complicated but I did not examine my sketch of the “Ocean Painters” carefully enough to work through the difficult shade areas or take a good look at the “bench” when beginning the painting. Artists who have worked with watercolor know, once the color is down, it is difficult to make changes afterward. I took my chances and made some changes anyway and for the most part, it worked out.
The palm tree painting was straight forward but my “Ocean Painters” will need a bit of tweaking here and there but is basically done.
I continue to learn something new every day and definitely with these two paintings.