22″ x 30″ oil on heavy weight gesso’d watercolor paper
Finally finished! I have completed 12 vineyard paintings and now plan to photograph and make prints to sell. I will add more to this collection at a later date but for right now it’s time to move in a different direction and on much smaller canvas’.
I chose to do an impressionistic style with this painting and still managed to put way too many hours into it. Working large just takes too much time and I get bogged down with detail. Although I am pleased with how this turned out, it was a struggle because the surface of the paper felt like working on a chalkboard so from now on, I will stick with oil on canvas.
Here are photos of the progress:
18″ x 24″ watercolor on Aquarelle Arches watercolor block
I have been working for quite some time on a vineyard series of large paintings which include acrylics, oil and watercolor. This particular painting was taken from reference photos taken at quite literally the crack of dawn! Although this painting maintains my typical control with the paint, it is more stylized then my usual realistic approach.
Beginning stages of the painting:
Section of a larger painting from my vineyard series.
3 canvas panels, 15″ x 60″ each
Organizing my paintings and sending some out for framing so that I can get them up at wineries.
9″ x 12″ Aquarelle Arches watercolor block
This is #17 of my daily painting and even though I didn’t get this one done in an hour or even a day, it needed to be completed. Friends of ours had brought us to Sculpterra Winery in Paso Robles and not only was the wine really good (“nummy” as one of our dear friends phrases it), the grounds that had meandering paths were filled with sculptures.
Awhile ago I had begun a vineyard series and by the time I started on this, I was burned out on painting clusters of grapes so I put it away for quite a few months but pulled it from my “to do” stack a few days ago and completed it today. As I normally work, I began with a sketch to figure out my design then did a textured effect for the background with burnt sienna and finally went in with the detail work. Planning each project ahead of time with sketches and maintaining control of the paint and detail has typified my work but I have a goal to loosen up my style like so many amazing plein air, as well as studio, watercolorists that paint with broader strokes and washes.
I have a 22″ x 30″ piece of heavy weight watercolor paper that I originally was going to use watercolors on but after drawing on it, I decided to try something new.
Since the sketch took me quite a bit of time and I didn’t want to lose it, I decided to take a Sharpie extra fine marker to my drawing then gesso over it. I’ve done this on several paintings before using acrylics and was quite pleased with the final product. My choice of using oils this time is because acrylics always dry so fast on my palette and now that we’re heading into summer, I want to alleviate my frustration. If any of you have tried this technique or have other thoughts, I would love to hear from you.
Terrill Welch, Ceative Potager, recently painted red poppies by the sea and did a beautiful job! I get so much out of seeing how other artists handle the same subject matter and it will be interesting to see how my “poppies in a vineyard” come out.