Show Time

“Misty Morning In Napa”

Many artists I know have been working diligently as they create beautiful works and getting them ready for art shows all around the country and I have been doing that as well. In fact, I have been letting quite a few paintings stack up, thinking that I would just send them out to the framers one painting at a time when it was time for an art show or two. This Fall I was asked to enter my work into three different art shows and one of the shows wanted 9 paintings to display! Wow, 12 paintings going out was such a thrill but then reality hit me as I needed to get 9 of those paintings framed, eek!

The dilemma, paying to have 9 paintings framed. It is far too costly to have that many professionally framed so I drove out to a wholesale framing business about an hour away to get the supplies I needed to mat my work, but they tell me they won’t cut the frames without a resale license. So what do I do? I call hubby at work and asked if he could make the frames if I picked up the moulding and of course, his sweet answer was yes. HA! It was far more difficult than expected and we needed specialized tools. Argh, with only a few weeks to go, we were committed, so we drove over all of God’s green earth to purchase the tools needed, glass, etc. Now add in the gigantic learning curve “voila” the frames are done in just the nick of time! We both worked very hard and although it came at a time consuming cost (plus equipment and materials), the entire frame job for each painting was so well done. The big lesson learned for us is that there is a reason framers charge so much!

Above, “Vineyard Poppies”, is one of the many frames we put together.

My husbands’ father used to own a wholesale art agallery and my husband used to be a “fitter”. He matted and assembled the frames, so learning how to cut the frames was just another step for him to be proficient in. He taught me how to mat the art but he did all the rest. This was a match made in heaven!

Below is a sampling of my art in the different shows:

And last but not least…

“Misty Morning In Napa” (45″ x 60″ oil triptych) won Best of Show in the Thousand Oaks Art Association

As we approach Thanksgiving, take care and be safe.🎨

Work In Progress…

9″ x 14″

This summer I have been concentrating on watercolor paintings – from very small to medium in size. This landscape is an elongated vertical format which highlights the shadows on the path as well as the morning light coming through the trees.

I have used illustration board, 300 Lb Arches single sheets, Arches watercolor blocks and currently am trying the Fabriano 300 Lb single sheets. I am actually a bit disappointed with how this paper takes the watercolor but am working through the difficulties.

I began by sketching on the watercolor paper then started laying out my color.

I am now at the point of fine tuning and adding greater depth and contrast. Comments are welcome, especially if you have a favorite watercolor paper or board to work on.🎨

From Sketch To The Final Piece

It is so nice to be finished with a couple of recent watercolor paintings but they weren’t without their obstacles. I generally make a working sketch when a project is complicated but I did not examine my sketch of the “Ocean Painters” carefully enough to work through the difficult shade areas or take a good look at the “bench” when beginning the painting. Artists who have worked with watercolor know, once the color is down, it is difficult to make changes afterward. I took my chances and made some changes anyway and for the most part, it worked out.

The palm tree painting was straight forward but my “Ocean Painters” will need a bit of tweaking here and there but is basically done.

I continue to learn something new every day and definitely with these two paintings.

Small Watercolors and Working Ideas

Now that I am back in my studio, it is time to finish up a couple of watercolor paintings and work out the details for a couple of more. From early in my high school days to now, I have always loved working in the controlled environment of my own room as opposed to “En Plein Air”. Painting outside is fun and though I am getting to paint outside more, the illustrator in me needs to work on paintings at any hour of the day without worrying about the changing light. I also tend to work on several paintings at a time and below is a sketch of a painting I plan to do in watercolor as well as oil.

Blessings🎨

Scribbles From the Road (Part 3)

My husband and I began our road trip starting in Southern California and traveled through Oregon, Washington, Idaho and back home south through the south-eastern corner of Oregon and Nevada. The landscape was so varied and even though it was all beautiful in it’s own way, we loved Idaho the best. Besides Coeur d’Alene, we spent time in the mountain resort town of McCall, Boise and Caldwell. Here are some highlight photos of the different areas…

Our hike in Ponderosa State Park, view Payette Lake

We continued on Lily Marsh Trail

Strolled through the Ann Morrison Park in the city of Boise

Onward home through the Jorden Valley, mountain areas and deserts…

Dove Springs is a favorite area for so many So Cal people to motorcycle ride and as we made our final stop before getting home, we were able to watch the Memorial Day crowd of weekend warriors get themselves settled for what promised to be an amazing time to be out in the desert.

Though we spent a lot of time exploring the many different areas with our two Boxers, I managed to get in a few more “scribbles” in my sketchbook

As we enter the summer months, I wish you all a safe and blessed time no matter where the days find you.

“A Little Meyer”

12″ x 16″ watercolor

In our yard, we have a dwarf Meyer Lemon tree which produces the sweetest, best tasting lemons! This little tree was the perfect subject and of course, it was so nice not to have to travel anywhere to create artwork. Today I finished this small watercolor painting and am pleased with how it turned out. Generally when painting, I know when to be “done” but with this particular project, I was getting way too close to overworking it and had to force myself to put my paintbrush down.

Here is a recap of the process:

1. The concept drawing

2. Drawing and beginning stage of laying down color

On the edges of the lemon and part of the stem, I painted an art masking fluid

The above photo shows the project almost completed and below, the finished painting.

Like the majority of my work, this painting shows my strong illustrator background but I enjoyed allowing myself to get looser in some of the areas behind the lemon. It is my hope that you find helpful hints in the creation of this painting.🎨