I always love setting up a blank canvas to begin a new painting, along with the challenge and satisfaction each new project brings. Now that we are on Day 2 of 2021, I am looking forward to the wonderful new possibilities of this coming year… new moments shared with family and friends, new experiences and yes, the opportunity to be creative.
Looking back over last year, I am so glad to have had the opportunity to paint and be creative, as well as get together with close friends and family – even with this pandemic. I am appreciative of the many positive comments and support this blog has brought and I hope that all who read my blog and have seen my work are able to enjoy a happy “moment time”.
Here is a 9 painting sampling from 2020
No matter your location or hobby you enjoy, I pray 2021 brings you good health and happy times.
Some scenes just make me smile. I have always loved the youthful honesty and energy of young children and although this scene was taken quite a few years back, the joy and happiness in my daughter’s face led me to finally get this painting done.🎨
2019 was one of those “mixed bag” years of great joy to great sorrow, as well as everything in between.
One highlight of my year happened in the beginning of May. My painting, “Leaf On The Vine” was part of the Oil Painters of America National Exhibition which was a thrill and great honor to be part of. My husband and I, along with our two Boxers travelled to Utah to see the exhibition as well as Zion and Bryce National Parks.
Sadly, a couple of weeks later, my mother passed away. She was 89, a woman of strong faith and was always committed to praying each day for family, friends, acquaintances and our Nation. In many ways she was a great example and encourager and I will always be thankful for her.
As we look back to the memories and accomplishments of 2019, I hope we can use what we have learned, having a forward view of the new year with hope in our hearts for each new day.
I have taken the opportunity these past months to get out of my comfort zone and “stretch” my artistic style with relatively quick oil sketches. These all need adjustments in some way but I have decided to keep them as is with notes to myself of the changes to be made since a few of these have the potential of becoming larger paintings.
Life is hectic for everyone, so carving time out to do what we enjoy needs to be a priority. My husband and I, along with our two very sweet Boxers, enjoy a bit of local traveling which includes going to Paso Robles.
We have been going to Paso for nearly 35 years! The first 25 years we went waterskiing and wakeboarding at Lake San Antonio then good friends of ours introduced us to Paso’s wineries and vineyards. The beauty of the area has been the subject of many of my paintings including this painting I just finished today. Summerwood Inn & Winery has been a favorite of ours and we have stayed at the Inn on several occasions. On one particular rainy stay at the Inn, I fell in love with the rainy day view looking out onto the patio toward the vineyard and knew I had to create a painting of the scene.
This is 10″ x 26″ oil on canvas and so far, untitled. Here are a few photos of the process:
Sketches done of this simple still life of garlic and earthenware. I quickly sketched with ballpoint pen and then did a 5″ x 7″ value study in oil. My aim was to be able to work quickly in color in order to finish in one sitting. Well, I continue to struggle between speed and accuracy, so the final painting took two separate sessions, about 6 hours total.
I am currently finishing up a large painting in oil, but plan to get outside, work only with larger brushes in order to capture the scenery at a much quicker pace.
I am looking forward to going to the 2019 Plein Air Painters Convention is in San Francisco this Spring and as a painter who enjoys the controlled environment of the studio, this will be a new and exciting experience for me. My hat goes off to all the Plein Air painters that are able to complete a quality painting, in changing light, within 2 – 4 hours. I love taking my time with painting and getting lost in thought, music or a good audio book, so working quickly is definitely a challenge for me.
To avoid any excuse regarding location or weather, I decided to set up my easel in our yard to capture some of the landscape and also set up still life’s in my studio. In order to stay within a 3 – 4 hour time limit per painting, the majority of my paintings are 5″x7″.
I will be heading back outside to work on my landscapes in changing light. For those of you who paint out, I would love to hear how you deal with the light, the elements and mixing colors quickly.
Happy New Year! Since my last post, the holidays have come and gone. From Thanksgiving on, every day has been filled with “to do” lists, places to be and of course, enjoying the holidays spent in the company of friends and family. I pray that you all had a wonderful holiday season and look forward to beginning the New Year of 2019.
I managed to get one last painting in for the year – – a small, 9″ x 12″ watercolor portrait of a friends daughter. It has been far too long since I’ve painted something other than a still life or landscape, so it felt good to get back into painting people. The colors reflect the temperature, time of day and hopefully, mood.
Below is from my sketchbook:
Final painting, “Evie”
I completed quite a few paintings this year, some that turned out well and others I just chock up to a learning experience. I narrowed down my favorites to 6 paintings:May 2019 keep you healthy, happy and give you all a prosperous new year!
Many artists I know have been working diligently as they create beautiful works and getting them ready for art shows all around the country and I have been doing that as well. In fact, I have been letting quite a few paintings stack up, thinking that I would just send them out to the framers one painting at a time when it was time for an art show or two. This Fall I was asked to enter my work into three different art shows and one of the shows wanted 9 paintings to display! Wow, 12 paintings going out was such a thrill but then reality hit me as I needed to get 9 of those paintings framed, eek!
The dilemma, paying to have 9 paintings framed. It is far too costly to have that many professionally framed so I drove out to a wholesale framing business about an hour away to get the supplies I needed to mat my work, but they tell me they won’t cut the frames without a resale license. So what do I do? I call hubby at work and asked if he could make the frames if I picked up the moulding and of course, his sweet answer was yes. HA! It was far more difficult than expected and we needed specialized tools. Argh, with only a few weeks to go, we were committed, so we drove over all of God’s green earth to purchase the tools needed, glass, etc. Now add in the gigantic learning curve “voila” the frames are done in just the nick of time! We both worked very hard and although it came at a time consuming cost (plus equipment and materials), the entire frame job for each painting was so well done. The big lesson learned for us is that there is a reason framers charge so much!
Above, “Vineyard Poppies”, is one of the many frames we put together.
My husbands’ father used to own a wholesale art agallery and my husband used to be a “fitter”. He matted and assembled the frames, so learning how to cut the frames was just another step for him to be proficient in. He taught me how to mat the art but he did all the rest. This was a match made in heaven!
Below is a sampling of my art in the different shows:
And last but not least…
“Misty Morning In Napa” (45″ x 60″ oil triptych) won Best of Show in the Thousand Oaks Art Association
As we approach Thanksgiving, take care and be safe.🎨