9 Paintings of 2019
2019 was one of those “mixed bag” years of great joy to great sorrow, as well as everything in between.
One highlight of my year happened in the beginning of May. My painting, “Leaf On The Vine” was part of the Oil Painters of America National Exhibition which was a thrill and great honor to be part of. My husband and I, along with our two Boxers travelled to Utah to see the exhibition as well as Zion and Bryce National Parks.
Sadly, a couple of weeks later, my mother passed away. She was 89, a woman of strong faith and was always committed to praying each day for family, friends, acquaintances and our Nation. In many ways she was a great example and encourager and I will always be thankful for her.
As we look back to the memories and accomplishments of 2019, I hope we can use what we have learned, having a forward view of the new year with hope in our hearts for each new day.
This is a simple watercolor scene from a foggy morning walk around the beach area in Ventura, CA
Website for available paintings: yolandemcaleveyart.com
Happy New Year! Since my last post, the holidays have come and gone. From Thanksgiving on, every day has been filled with “to do” lists, places to be and of course, enjoying the holidays spent in the company of friends and family. I pray that you all had a wonderful holiday season and look forward to beginning the New Year of 2019.
I managed to get one last painting in for the year – – a small, 9″ x 12″ watercolor portrait of a friends daughter. It has been far too long since I’ve painted something other than a still life or landscape, so it felt good to get back into painting people. The colors reflect the temperature, time of day and hopefully, mood.
Below is from my sketchbook:
Final painting, “Evie”
I completed quite a few paintings this year, some that turned out well and others I just chock up to a learning experience. I narrowed down my favorites to 6 paintings:May 2019 keep you healthy, happy and give you all a prosperous new year!
11″ x 14″ oil on canvas
My husband and I have dear friends that own a small vineyard, Klender Cellars in Paso Robles, producing an amazing boutique wine. Throughout the year, we have had the privilege to see their vineyard during its many stages and have participated at harvest time. Owning a vineyard is hard work so it was easy to come to the conclusion that access is definitely better than ownership! Their vineyard is always fascinating and has been a tremendous source of inspiration for me with my painting. On one particular visit, my friend showed me a birds nest that was in the vines of the Cabernet grapes that were still green.
Shown below is my concept sketch and stages of my painting.
12″ x 16″ oil on paper
In the beginning of summer, there was a question that I needed to ask myself, “How much time with social media is too much time?”. As I do my best to get my work “out there”, I realized that for me, it was taking over the already limited time I had to paint so I decided to just focus on my painting. I started by making a plan to finish a stack of paintings that I had set aside quite awhile ago before starting anything new AND before posting. I plan to stick with this plan in order to produce more work and post less.
Here are the paintings that I have completed:
“Poppies In The Vineyard” (22″ x 30″ rework/acrylics on watercolor paper)
“A Vineyard Row” (22″ x 30″ rework/acrylics on watercolor paper)
“Blueberries” (12″ x 16″ oil on primed watercolor paper)
Now that the stack has been completed, I feel much better about focusing on new projects. Until next time, take care and enjoy the last bits of summertime fun and warm weather!
22″ x 30″ oil
“Poppies In A Vineyard” was started a year or so ago and although I placed it in my completed stack, I was never really satisfied with it and knew I would make some adjustments to it later. Instead of overworking something to death, it is better to set something aside for awhile. I finally pulled it out this week and was able to view it with a critical eye and see what was bothering me.
When painting, I always mix a tad of black with other colors for my dark darks but low and behold, I had areas of black that looked like a chalkboard plus I had some areas that were quite rushed in comparison to the rest of the painting. The changes have been made and I am pleased with the outcome.
Here is a recap of the process:
I prepared a 22″ x 30″ single sheet of 300lb watercolor paper prepared with gesso and then made my sketch.
Then came the layout of color
Chose to rework some areas on my desk instead of my easel. Sometimes I will work upside to better concentrate on some areas.
Finally I can call this painting finished!
What a nice surprise to actually have the opportunity to paint today. Now it is time to stop “nit-picking” this painting and put my brush down to call it “finished”.🎨
9″ x 14″
This summer I have been concentrating on watercolor paintings – from very small to medium in size. This landscape is an elongated vertical format which highlights the shadows on the path as well as the morning light coming through the trees.
I have used illustration board, 300 Lb Arches single sheets, Arches watercolor blocks and currently am trying the Fabriano 300 Lb single sheets. I am actually a bit disappointed with how this paper takes the watercolor but am working through the difficulties.
I began by sketching on the watercolor paper then started laying out my color.
I am now at the point of fine tuning and adding greater depth and contrast. Comments are welcome, especially if you have a favorite watercolor paper or board to work on.🎨