Show Time

“Misty Morning In Napa”

Many artists I know have been working diligently as they create beautiful works and getting them ready for art shows all around the country and I have been doing that as well. In fact, I have been letting quite a few paintings stack up, thinking that I would just send them out to the framers one painting at a time when it was time for an art show or two. This Fall I was asked to enter my work into three different art shows and one of the shows wanted 9 paintings to display! Wow, 12 paintings going out was such a thrill but then reality hit me as I needed to get 9 of those paintings framed, eek!

The dilemma, paying to have 9 paintings framed. It is far too costly to have that many professionally framed so I drove out to a wholesale framing business about an hour away to get the supplies I needed to mat my work, but they tell me they won’t cut the frames without a resale license. So what do I do? I call hubby at work and asked if he could make the frames if I picked up the moulding and of course, his sweet answer was yes. HA! It was far more difficult than expected and we needed specialized tools. Argh, with only a few weeks to go, we were committed, so we drove over all of God’s green earth to purchase the tools needed, glass, etc. Now add in the gigantic learning curve “voila” the frames are done in just the nick of time! We both worked very hard and although it came at a time consuming cost (plus equipment and materials), the entire frame job for each painting was so well done. The big lesson learned for us is that there is a reason framers charge so much!

Above, “Vineyard Poppies”, is one of the many frames we put together.

My husbands’ father used to own a wholesale art agallery and my husband used to be a “fitter”. He matted and assembled the frames, so learning how to cut the frames was just another step for him to be proficient in. He taught me how to mat the art but he did all the rest. This was a match made in heaven!

Below is a sampling of my art in the different shows:

And last but not least…

“Misty Morning In Napa” (45″ x 60″ oil triptych) won Best of Show in the Thousand Oaks Art Association

As we approach Thanksgiving, take care and be safe.🎨

Time for a few changes…

22″ x 30″ oil

“Poppies In A Vineyard” was started a year or so ago and although I placed it in my completed stack, I was never really satisfied with it and knew I would make some adjustments to it later. Instead of overworking something to death, it is better to set something aside for awhile. I finally pulled it out this week and was able to view it with a critical eye and see what was bothering me.

When painting, I always mix a tad of black with other colors for my dark darks but low and behold, I had areas of black that looked like a chalkboard plus I had some areas that were quite rushed in comparison to the rest of the painting. The changes have been made and I am pleased with the outcome.

Here is a recap of the process:

I prepared a 22″ x 30″ single sheet of 300lb watercolor paper prepared with gesso and then made my sketch.

Then came the layout of color

Chose to rework some areas on my desk instead of my easel. Sometimes I will work upside to better concentrate on some areas.

Finally I can call this painting finished!

Windmill in Napa

Section of a larger painting from my vineyard series.

3 canvas panels, 15″ x 60″ each
Organizing my paintings and sending some out for framing so that I can get them up at wineries.