“Misty Morning In Napa”
Many artists I know have been working diligently as they create beautiful works and getting them ready for art shows all around the country and I have been doing that as well. In fact, I have been letting quite a few paintings stack up, thinking that I would just send them out to the framers one painting at a time when it was time for an art show or two. This Fall I was asked to enter my work into three different art shows and one of the shows wanted 9 paintings to display! Wow, 12 paintings going out was such a thrill but then reality hit me as I needed to get 9 of those paintings framed, eek!
The dilemma, paying to have 9 paintings framed. It is far too costly to have that many professionally framed so I drove out to a wholesale framing business about an hour away to get the supplies I needed to mat my work, but they tell me they won’t cut the frames without a resale license. So what do I do? I call hubby at work and asked if he could make the frames if I picked up the moulding and of course, his sweet answer was yes. HA! It was far more difficult than expected and we needed specialized tools. Argh, with only a few weeks to go, we were committed, so we drove over all of God’s green earth to purchase the tools needed, glass, etc. Now add in the gigantic learning curve “voila” the frames are done in just the nick of time! We both worked very hard and although it came at a time consuming cost (plus equipment and materials), the entire frame job for each painting was so well done. The big lesson learned for us is that there is a reason framers charge so much!
Above, “Vineyard Poppies”, is one of the many frames we put together.
My husbands’ father used to own a wholesale art agallery and my husband used to be a “fitter”. He matted and assembled the frames, so learning how to cut the frames was just another step for him to be proficient in. He taught me how to mat the art but he did all the rest. This was a match made in heaven!
Below is a sampling of my art in the different shows:
And last but not least…
“Misty Morning In Napa” (45″ x 60″ oil triptych) won Best of Show in the Thousand Oaks Art Association
As we approach Thanksgiving, take care and be safe.🎨
I’ve needed to put my sketchbook and paints aside for a short period of time in order to mat and frame quite a few of my paintings for three upcoming art shows. Being an “empty nester” is a pretty exciting chapter in my life and I am able to pursue my art as well as be involved with so many amazing artists. Having 9+ paintings would be a pretty penny to send out to a professional framer so I’ve spent a lot of time matting the artwork myself, having glass cut and this weekend my husband will cut the frames for me., then the final stage will be putting it altogether. It is a lengthy project but I actually love being a part of this stage preparing my artwork for shows.
The Thousand Oaks Art Association is a wonderful group of talented people and I am so pleased to have two of my paintings in this show. If anyone is local, come on by to see all the beautiful work on display.
12″ x 16″ watercolor
In our yard, we have a dwarf Meyer Lemon tree which produces the sweetest, best tasting lemons! This little tree was the perfect subject and of course, it was so nice not to have to travel anywhere to create artwork. Today I finished this small watercolor painting and am pleased with how it turned out. Generally when painting, I know when to be “done” but with this particular project, I was getting way too close to overworking it and had to force myself to put my paintbrush down.
Here is a recap of the process:
1. The concept drawing
2. Drawing and beginning stage of laying down color
On the edges of the lemon and part of the stem, I painted an art masking fluid
The above photo shows the project almost completed and below, the finished painting.
Like the majority of my work, this painting shows my strong illustrator background but I enjoyed allowing myself to get looser in some of the areas behind the lemon. It is my hope that you find helpful hints in the creation of this painting.🎨
Today is the last of my single Meyer lemon still life’s but will revisit this subject at a later date. I am starting to gain a little more control with these quick 60 minute oil sketches and definitely enjoying the process each day.
Now in slices, here’s another very quick study of this Meyer lemon.