I’ve needed to put my sketchbook and paints aside for a short period of time in order to mat and frame quite a few of my paintings for three upcoming art shows. Being an “empty nester” is a pretty exciting chapter in my life and I am able to pursue my art as well as be involved with so many amazing artists. Having 9+ paintings would be a pretty penny to send out to a professional framer so I’ve spent a lot of time matting the artwork myself, having glass cut and this weekend my husband will cut the frames for me., then the final stage will be putting it altogether. It is a lengthy project but I actually love being a part of this stage preparing my artwork for shows.
The Thousand Oaks Art Association is a wonderful group of talented people and I am so pleased to have two of my paintings in this show. If anyone is local, come on by to see all the beautiful work on display.
11″ x 14″ oil on canvas
My husband and I have dear friends that own a small vineyard, Klender Cellars in Paso Robles, producing an amazing boutique wine. Throughout the year, we have had the privilege to see their vineyard during its many stages and have participated at harvest time. Owning a vineyard is hard work so it was easy to come to the conclusion that access is definitely better than ownership! Their vineyard is always fascinating and has been a tremendous source of inspiration for me with my painting. On one particular visit, my friend showed me a birds nest that was in the vines of the Cabernet grapes that were still green.
Shown below is my concept sketch and stages of my painting.
What a nice surprise to actually have the opportunity to paint today. Now it is time to stop “nit-picking” this painting and put my brush down to call it “finished”.🎨
No matter an artists’ style or choice of medium, there are many things that go into a great composition. I am working on a new series of paintings that make the “shadows” key players in the compositions.
18″ x 36″ oil on canvas
This painting began with a conceptand instead of sticking with the usual sizes of canvas, I made an 18″ x 36″ canvas to fit my design. I had fully intended to go with a full color, daylight scene but it was missing a certain feel to me.I was going to scrap the whole idea but figured I had nothing to lose by changing the color and with it, the mood. I went with a limited palette of Dioxazine Purple, Indian Red, Raw Umber, Titanium white and a tad of Ultramarine Blue.The underpainting from the original colors show through and gives a nice warmth to this piece. It is quite a departure in color from my other paintings but I’m liking it and it gives a calm, moonlit effect. I am thinking about creating a smaller version in full color but I need time to ‘rest’ from this subject and to paint in watercolors.🎨
I welcome your thoughts and if you have changed directions as well with paintings of your own.
5″ x 7″ oil
Today begins my adventure with painting beach scenes. I have always tended toward realism with painting but it is time to challenge myself as an artist to work quickly, not worrying about every detail but to achieve what I hope will be an impression of the scene that really draws the viewer into my work. Living relatively close to the beach all my life, I find it interesting that I have never spent any real time painting the ocean, beach or harbor but now is the time to stretch and be challenged in this area and I hope to get a lot better at it!
9″ x 12″ Aquarelle Arches watercolor block
This is #17 of my daily painting and even though I didn’t get this one done in an hour or even a day, it needed to be completed. Friends of ours had brought us to Sculpterra Winery in Paso Robles and not only was the wine really good (“nummy” as one of our dear friends phrases it), the grounds that had meandering paths were filled with sculptures.
Awhile ago I had begun a vineyard series and by the time I started on this, I was burned out on painting clusters of grapes so I put it away for quite a few months but pulled it from my “to do” stack a few days ago and completed it today. As I normally work, I began with a sketch to figure out my design then did a textured effect for the background with burnt sienna and finally went in with the detail work. Planning each project ahead of time with sketches and maintaining control of the paint and detail has typified my work but I have a goal to loosen up my style like so many amazing plein air, as well as studio, watercolorists that paint with broader strokes and washes.