I have painted with watercolor for many years, tried different papers, as well as illustration board and finally decided to stick with 300lb watercolor paper, but even with that, there will be “buckling” on the paper with heavy washes. I recently had the opportunity to try Raymar’s watercolor panel and I am hooked.
Along with one of my orders of canvas panels from Raymar, a 9” x 12” watercolor panel (rough texture) was included as a gift for me to try. I think back and wonder why I hadn’t tried it until now but definitely glad I did. The company has 3 different watercolor panels with different types of Fabriano watercolor paper that are specially mounted to a piece of thin aluminum. The surface is rock solid for any amount of water put on it and never buckles. Color on the edges don’t “bleed” or peel up. I have worked on all sizes up to 18” x 24” with other papers and always have to work through buckling, so even though these panels are a bit pricey, it’s something I can depend on and a wonderful surface for my art.
Happy painting and wishing you a safe and wonderful Thanksgiving coming up.
I always love setting up a blank canvas to begin a new painting, along with the challenge and satisfaction each new project brings. Now that we are on Day 2 of 2021, I am looking forward to the wonderful new possibilities of this coming year… new moments shared with family and friends, new experiences and yes, the opportunity to be creative.
Looking back over last year, I am so glad to have had the opportunity to paint and be creative, as well as get together with close friends and family – even with this pandemic. I am appreciative of the many positive comments and support this blog has brought and I hope that all who read my blog and have seen my work are able to enjoy a happy “moment time”.
Here is a 9 painting sampling from 2020
No matter your location or hobby you enjoy, I pray 2021 brings you good health and happy times.
2019 was one of those “mixed bag” years of great joy to great sorrow, as well as everything in between.
One highlight of my year happened in the beginning of May. My painting, “Leaf On The Vine” was part of the Oil Painters of America National Exhibition which was a thrill and great honor to be part of. My husband and I, along with our two Boxers travelled to Utah to see the exhibition as well as Zion and Bryce National Parks.
Sadly, a couple of weeks later, my mother passed away. She was 89, a woman of strong faith and was always committed to praying each day for family, friends, acquaintances and our Nation. In many ways she was a great example and encourager and I will always be thankful for her.
As we look back to the memories and accomplishments of 2019, I hope we can use what we have learned, having a forward view of the new year with hope in our hearts for each new day.
I have taken the opportunity these past months to get out of my comfort zone and “stretch” my artistic style with relatively quick oil sketches. These all need adjustments in some way but I have decided to keep them as is with notes to myself of the changes to be made since a few of these have the potential of becoming larger paintings.
Life is hectic for everyone, so carving time out to do what we enjoy needs to be a priority. My husband and I, along with our two very sweet Boxers, enjoy a bit of local traveling which includes going to Paso Robles.
We have been going to Paso for nearly 35 years! The first 25 years we went waterskiing and wakeboarding at Lake San Antonio then good friends of ours introduced us to Paso’s wineries and vineyards. The beauty of the area has been the subject of many of my paintings including this painting I just finished today. Summerwood Inn & Winery has been a favorite of ours and we have stayed at the Inn on several occasions. On one particular rainy stay at the Inn, I fell in love with the rainy day view looking out onto the patio toward the vineyard and knew I had to create a painting of the scene.
This is 10″ x 26″ oil on canvas and so far, untitled. Here are a few photos of the process:
I am looking forward to going to the 2019 Plein Air Painters Convention is in San Francisco this Spring and as a painter who enjoys the controlled environment of the studio, this will be a new and exciting experience for me. My hat goes off to all the Plein Air painters that are able to complete a quality painting, in changing light, within 2 – 4 hours. I love taking my time with painting and getting lost in thought, music or a good audio book, so working quickly is definitely a challenge for me.
To avoid any excuse regarding location or weather, I decided to set up my easel in our yard to capture some of the landscape and also set up still life’s in my studio. In order to stay within a 3 – 4 hour time limit per painting, the majority of my paintings are 5″x7″.
I will be heading back outside to work on my landscapes in changing light. For those of you who paint out, I would love to hear how you deal with the light, the elements and mixing colors quickly.
This past month I have enjoyed seeing the paintings posted from two different artists for the Strada Easel Challenge. Each artist faithfully completed 31 paintings for the entire month of January and not only was I impressed by their commitment, but each new painting built greater skill on the one painted the previous day. I would like to see my skills improve along with the confidence of mixing colors quickly in order to build speed, so I have decided to challenge myself in a similar way.
Painting quickly, in a looser style, or outdoors has never been my strength, but I do believe that challenging myself to paint small paintings every day will help me in the long run. Below are the first five that I have completed, 3 outside and 2 in my studio:
Quick painting of the front counter at “Rabalais Bistro”, Santa Paula, CA
In my zeal for setting a goal to complete more paintings this year, I began two large watercolor paintings and an oil painting. The 10″ x 26″ oil of a rainy day in Paso Robles, CA is just in the beginning stages and before I continue going any further with this, I plan to work on several smaller color studies, using different palettes to bring a little more ‘life’ into the final painting.
For the following painting, I began with a sketch, next, a black and white contrast study for this pumpkin patch scene, then began the watercolorBefore getting too far with the watercolor process, I decided to scrap this project because it would look much better done in oils.
Finally, in this last piece I have the drawing done and just a tiny bit of watercolor placed but will hold off until I get a value study done to get the greatest impact on the final painting.
So what began as an energetic beginning to 2019 has slowed down to a snails pace and with it, doubts and frustration. I welcome any thoughts or feedback.
Happy New Year! Since my last post, the holidays have come and gone. From Thanksgiving on, every day has been filled with “to do” lists, places to be and of course, enjoying the holidays spent in the company of friends and family. I pray that you all had a wonderful holiday season and look forward to beginning the New Year of 2019.
I managed to get one last painting in for the year – – a small, 9″ x 12″ watercolor portrait of a friends daughter. It has been far too long since I’ve painted something other than a still life or landscape, so it felt good to get back into painting people. The colors reflect the temperature, time of day and hopefully, mood.
Below is from my sketchbook:
Final painting, “Evie”
I completed quite a few paintings this year, some that turned out well and others I just chock up to a learning experience. I narrowed down my favorites to 6 paintings:May 2019 keep you healthy, happy and give you all a prosperous new year!